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Production Newsletter

Many times authors and publishers prefer an audition casting instead of spending time going through our list of narrators to find a voice they may like. This saves them time.

We post those auditions here.

Australian Male Narrator P.O24192

Updated: Mar 27

NARRATOR SELECTED - Gregory Dwyer


We believe in unique human performances that bring life to stories. -- We believe real human performers should be supported. -- We believe human narration is what makes every performance unique. -- We believe in quality productions. -- e-Audio Productions will not be implementing AI narration nor will be selling or providing narrator voices to AI companies for use in AI narration.


Client: Publisher - ID P.O24192

Genre: Fiction

Word Count: 48,000

Narrator: Male

Accents: English/Australian and Pakistani/Arabic (if possible)

Performance: Australian accent: Dramatic, energetic. Pakistani accent: Serious


SUMMARY

Dive into a World of Espionage and Unlikely Alliances - A Tale of Courage, Betrayal, and Redemption. In the intense and thrilling Opposite of Collision, this book delivers an unforgettable saga of espionage, resilience, and the unlikely bonds forged in the shadows of global conflict. Set in the volatile landscape of the early 1990s, a shadowy terrorist faction is poised to launch devastating attacks against the United States. This riveting narrative takes readers from the enigmatic alleys of Eastern Europe to the perilous deserts of the Horn of Africa. At the core of this tale are two contrasting yet compelling protagonists. Randall Betts, a former Marine turned CIA operative, driven by a haunting past event, navigates a treacherous path of loyalty and deceit. His journey culminates in a high-stakes confrontation that blurs the lines between ally and enemy. Muinir Afridi, a young man from a remote Pakistani village, is thrust into the turbulent world of Islamic militancy.



Instructions

Please record your great performance, send in raw "punch n roll" wav files. Recordings should be edited for mistakes and repeats but nothing more.

IMPORTANT: No EQ, No Compression, No Saturation, No Limiting or Normalizing. All that along with detailed edits for breath control, lip/mouth sounds, mixing, mastering will be done in our studio.


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